TWELVE DAYS: THE IBUKI SISTERS IN CLANNAD

Yeet yeet yeet. Fuuko’s arc is the part of Clannad that I enjoy discussing most. If Clannad was just the Fuuko arc, it would be one of the most absurd anime I’ve ever watched. Even more absurd is that Kyo-Ani decided to drag it out for a whole six episodes. That’s like one FLCL! All dedicated to Fuuko…

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Of course I say that, but to say that Fuuko’s arc is about Fuuko is to miss the point entirely, because it’s not about Fuuko at all. Fuuko’s arc is basically a drawn out less compelling version of Mayoi Snail (though Clannad does predate Monogatari). Like Mayoi, Fuuko, who at first seems to be the focus of the arc, really serves as an agent that brings two other characters closer together. Mayoi Snail brings Araragi and Senjougahara closer together and ends with them becoming lovers, while the Starfish arc uses Fuuko to bring Tomoya and Nagisa closer together. The biggest differences are the means by which these arcs bring these characters together and their duration. Mayoi Snail takes place over the course of a single day, while the Starfish arc lasts a few weeks. Mayoi Snail limits itself to just six characters, two of which only appear over the phone or in flashbacks and another who appears for just one scene. On the other hand, the Starfish arc’s focus on the three central characters is diluted by the importance of the supporting cast and way the narrative ropes in the entire school. That’s not to say that it was a bad decision on Clannad’s part to involve its mostly maddeningly dull supporting cast, I’m just laying out the contrasts between these two similar arcs. Yes, even Kyou is dull, just compare her to actually compelling tsundere characters you’ve seen in other anime, or any Monogatari girl, and Tomoyo isn’t made compelling until after this arc. Obviously, I firmly believe that Mayoi Snail, which I consider to be one of Monogatari’s most foundational and underappreciated arcs, is far more compelling in the manner and degree to which it brings its couple together.

Mayoi Hachikuji is a far better character in her own right than Fuuko, and Mayoi has half as many episodes in her arc as Fuuko. Even though I’d say that Araragi and Senjougahara are the focus of Mayoi Snail, Nisio Isin still crafts Mayoi into a compelling character over the course of her arc. Mayoi comes across as hostile and defensive, not unlike Araragi’s first impression of Senjougahara. Like Senjougahara, Mayoi actively tries to prevent people from getting involved with her, but unlike Senjougahara, Mayoi does it out of concern for the people she encounters. Mayoi’s nature as an apparition isn’t revealed until toward the end of the arc. When Araragi is told that Hachikuji is the lost cow, he immediately realizes that this means Mayoi has been wandering as a ghost for eleven years, trying to prevent people from keeping her company. That alone is just a sad story, and all it tells us about Mayoi is that she is selfless and wise, having resolved to wander alone endlessly rather than preventing people from losing her way just as she had before her life was cut short. On the other hand, Fuuko’s sob story is that she’s the coma ghost of a loner girl whose primary character trait is that she loves her sister and starfish. Later on, it’s implied that she likely won’t ever wake up, though that ends up being untrue. Mayoi, on the other hand, is dead. Mayoi’s character becomes most tangible when she is reflecting upon her family issues with Araragi, in which she articulates her complicated feelings for her father, who she loves but who has been preventing her from visiting her mother.

Monogatari, like Clannad, is very much an anime about family. Clannad is pretty much the poster child for anime about family, yet the extent of Fuuko’s relationship with Kouko, as depicted in the six episodes of Fuuko’s arc is that Fuuko is a good sister and wants Kouko to be happy. Of the two sisters, Kouko, who receives much less screen time, is far more interesting. Nagisa and Tomoya express awe at Fuuko’s devotion to her sister’s happiness, but is it really all that impressive? I mean, Fuuko is a coma ghost, one that doesn’t seem to anticipate ever awakening, so she has all the time in the world. Fuuko doesn’t have to go to classes, and she receives information from her ears in the hospital, so she knows that her sister is hesitating to get married for her sake. Fuuko, being a coma ghost, knows that she can’t effect the world as tangibly as a conscious physical person can, but she can do her best and by a stroke of luck, she manages to find a couple of people that happen to know her sister that are bored enough to spend their time assisting in her efforts.

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Kouko is actually interesting. Why the hell is Kouko spending every day in the hospital rather than going out and living her own life? Yes, the obvious answer is that she stays with Fuuko every day because she loves her, but I have a feeling that there’s more to it. At some point, wouldn’t Kouko be seen as lazy for quitting her job and spending every day with her sister rather than working? As long as somebody is with Fuuko every day, isn’t that enough? Why does it have to be Kouko? For some reason, Kouko must be the only family that Fuuko has. Why else would she take it upon herself to take care of Fuuko herself when she finally does awaken? Wouldn’t Fuuko’s parents want to live with their recovering daughter that had been in a coma for ten years? They would if they were good parents. In Kouko’s flashbacks during the arc, we see that they were living together before Fuuko’s accident, but it didn’t seem as though Kouko was the head of household, so I don’t think the sisters’ parents were dead.

My theory is that Fuuko’s parents wanted to pull the plug on Fuuko. They should have. Just Kidding. Kouko must have taken them to court and sued for custody of Fuuko. Regardless of whatever the real story is, Kouko is far more interesting than Fuuko because she really sacrifices time from a tangible life to care for her sister then takes her into her home once she awakens. On top of that, it doesn’t seem as though Kouko and Yoshino ever have children. Knowing Clannad, there must be a significant reason that a couple would decide not to have a child. Nagisa tells Tomoya to put a baby in her as soon as Tomoya asks her what she wants. Kouko is so dedicated to her sister that she refrained from having children of her own so that she can take care of Fuuko. But is Fuuko really a character worth taking care of?

My instinctual response is yes, but as soon as I try to think of additional qualities that make Fuuko a good character, my mind goes blank, so I’ll move on and explore how Mayoi and Fuuko function as narrative devices.

Mayoi’s case brings Araragi and Senjougahara closer together by putting on display some of each character’s anxieties and insecurities. By coming to understand a bit of each other’s vulnerabilities, Araragi and Senjougahara’s relationship becomes more intimate, which is demonstrated perfectly when Senjougahara declares to Araragi, “I love you.” The situation also provides an opportunity for Senjougahara to watch Araragi rescue somebody other than herself, which affirms the feelings that Senjougahara was harboring for Araragi. Fuuko brings Nagisa and Tomoya closer together by causing them to work and spend a lot of time together. Not only do they spend a lot of time together, they spend that time together caring for a child (though Fuuko is technically the same age as Okazaki). Nagisa even remarks at one point that she and Tomoya are like Fuuko’s mother and father, and at the end of the arc, the two start addressing each other by their first names.

Tomoya to Nagisa (sin Fuko)

Fuuko’s arc is so mind bogglingly stupid, but at the same time its absolutely delightful and charming. I think I’m good at talking about my feelings, so to wrap this up, let me do a bit of that and hope it will be compelling. Yeah, I really love Fuuko’s arc. Its so fucking silly, and I think its precisely because it feels so silly that it manages to also feel so sincere. But honestly, for this arc, I don’t have some dark personal shit that I can dig up to relate to it. I guess… I guess it feels so satisfying to watch because its so boring, its so much nothing. Just watching a little girl running around trying her hardest is entertaining enough for me, I suppose.

Where is Monogatari Headed?

The Monogatari series has been, by far, the most compelling long running anime series of this decade. It is easily the best light novel adaptation I’ve watched so far, and, as much as I’m enjoying Katanagarari, an adaptation of another novel series authored by Nisio Isin, I don’t see that changing any time soon, if ever. Monogatari is a hot mess, but I wouldn’t have it any other way; that’s part of what makes these stories feel so real. I can imagine Nisio Isin staying up late at night, contemplating some sort of emotional turmoil, then awakening the next morning, picking up a pen, and asking himself, “now, how will I use Monogatari to tell a tale of that turmoil?” It’s like Monogatari is a medium of its own that Nisio Isin has a monopoly on.

Of course, there are many strands of cohesion that tie Monogatari together as a whole. To those that have read the final volume of Owarimonogatari, or at least its spoilers, it seemed as though all these strands had come together and neatly wrapped up Monogatari once and for all. However, Nisio Isin has gone ahead and announced another season of Monogatari. It will be titled Monster Season. Has Isin really not yet exhausted the Monogatari format? Haven’t all our characters grown up with the lessons they learned from their experiences with apparitions? Perhaps not.

What has been left unresolved in Monogatari? The first thing that comes to mind is not an unresolved problem, it’s a sorely missed character. Hopefully, in Monster Season, Nisio Isin will be generous enough to treat us to another Kaiki arc. While we’re on the topic of Kaiki, although I am not one to aggressively “ship” characters in the entertainment I consume, I do believe that Hanekawa and Kaiki have some great chemistry. I think that it is fair to say Nadeko’s character development has run its course, although that doesn’t mean she won’t show up. Kanbaru’s coming of age story has also concluded, I believe.

Whatever Monogatari has in store for us in Monster Season, I’m sure Kanbaru will be playing a major role anyway, most likely as a specialist or specialist in training. Perhaps we will see her formally confront Gaen, who pretended to be unrelated to her when they first met. I think it goes without saying that Hanekawa will continue to, well, be Hanekawa. Her story arcs have the most definite sense of completion, so I’m sure she won’t have to deal with any more apparitions springing forth from her own mind. I can only imagine her playing a support role. I think it is possible, especially if Monster Season takes place after some sort of time skip, that the Fire Sisters might be brought into the loop regarding apparitions, especially since Tsukihi has been helping Nadeko with her manga and is an immortal apparition herself.

There’s one final matter that I can’t imagine Isin leaving alone. He’s not going to let Araragi go off and live a happy life while ignoring what would inevitably become an awkward situation. I’m sure every Monogatari fan has thought at one point or another how weird it will be for Araragi to spend his life with Senjougahara with Shinobu, his “lifelong partner,” lurking in his shadow all the while. Kizumonogatari’s ending was designed by Oshino so that “everyone would be miserable.” Since then, both parties involved have grown fond of the bond they forged. However, Araragi should know by now that he can’t have his cake and eat it too. I bet you Nisio Isin will force Araragi to choose between Shinobu and Senjougahara. This should be quite interesting.

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